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Kamis, 17 September 2015

Download Ebook , by Tao Lin

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, by Tao Lin

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File Size: 7453 KB

Print Length: 316 pages

Publisher: Vintage; 1 edition (May 1, 2018)

Publication Date: May 1, 2018

Language: English

ASIN: B078VVL71B

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Amazon Best Sellers Rank:

#303,438 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Started well ... no rhythm very scattered near the end. Author is a interesting person but he and his writing seems schizophrenic. It’s basically him sharing his random thoughts with us the reader, but there is no conclusion no real insight just a random stream of consciousness. I was hoping for more.

This book is worth the price if you are fascinated by Terence McKenna as the author, a devotee, has an extensive knowledge of him. The first section focuses on Terence and his insights. Otherwise a self indulgent account of a relapsing pathetic drug addict, impossible for me to finish. If you want to be inside the muddled self centered mind of a person struggling with addiction you might rate it higher than me.

Overall, the book was ok. The author does a great job writing about Mckenna; those were the parts of the book that I liked: in particular, chapters 1 & 2. I stopped reading after the section on DMT... that part of the book seemed so painfully irrelevant, so scattered, and the next chapter seemed to be going right along in the same direction... I just had to put it down. Sorry, Tao.

Tao Lin's unique language, which synthesized his experiences with Terence McKenna, psychedelics, and Kathleen Harrison, wormed its way into my heart, soul, and actual dreams at night. I learned a lot of new things that I can't quite put into words.

I selected this book to read during 26 hours of travel. Parts were interesting and engaging, but the excitement was not sustainable

Enjoyed a lot. Felt good about the psychedelic stuff. If you've listened to a lot of Mckenna some parts feel familiar but it's fun to read Tao extrapolating from that and compare with ideas/events from his own life, like he also does with Weston A. Price and Riane Eisler. I like how he doesn't completely subscribe to any one view of the modern world. He seems to simultaneously be able to view a lot of parts of it as bleak and other parts as exciting and even hopeful. I think he took Terence a little too seriously about the 'I don't believe anything' thing. He said that a lot but it still feels, to me at least, like he strongly leaned towards Novelty Theory being true, and was also firmly rooted to the need for an Archaic Revival. He often seemed to me like a 'True Believer,' but one who was savvy enough to know how skeptical people were of both experts and evangelicals and so said things like that he only had 'models' (but I think it's only the top level stuff--things that seemed obvious to him, like that psychedelics would have to become important for a positive future outcome for humanity --that I think he firmly held to. A lot his ideas he did probably, it seems, view as expendable) But since I kind of believe that stuff it didn't really bother me.The book also encouraged me, through reading about Tao's experience with and gratefulness towards it, to begin again to use cannabis with a new attitude of viewing it as it's own intentional helper. I like this new view and how it's making me feel. I wanted to see some more things about the relationship between psychedelics and spirituality. Terence said different things. Like he sometimes said they were obviously intertwined, maybe earlier in his career i'm guessing, and then other times said stuff like he wasn't sure they had much to do with each other. I wanted (at some point before reading the book, imagining what the book was going to be about) to hear about Tao's view on the matter, but maybe it wasn't considered to be interesting or relevant or maybe it was not considered at all. The back of the book said stuff about 'what happens after death?' but that wasn't really talked about except for repeating without not a lot of examination Terence's 'death is a release into the the imagination.' Realizing now that I'd been assuming that a lot of people reading the book would be familiar with Terence's ideas but I overestimated the overlap of people who are interested in him and Tao because of his (Mckenna's) prevalence on Tao's online, (mainly Twitter it seems) presence, and that maybe to a lot of people these are going to be 100% new ideas which will, due to their newness, have a large effect on them, which seems exciting (just to have a lot of people discussing, or maybe just thinking about, interesting ideas, even ones that are maybe smirked at by certain different kinds of people).One of my favorite parts of the book was in the epilogue when Tao feels depressed and poignantly assures himself, despite the depressive thing of it seeming permanent, that there would come times that he would feel better. I view 'Trip,' or at least a lot, of it as kind of a culmination of the last months or maybe years of Tao's online presence, having followed probably all of it. I view the new, before-unseen parts, like his detailed trip reports and a lot of the Kathleen Harrison stuff as a sort of 'bonus.' I intuit that there are more things I vaguely feel like I can convey about my experience of reading 'Trip,' but am self-conscious about how long this review is for an Amazon comments section, and am so going to stop typing after the next sentence. I greatly appreciate everything Tao Lin writes makes me feel more interested in art and less alone in the world, and I feel massively grateful for him having communicated his Mckenna-influenced worldview and sharing his often-convincing view of and beliefs about both modern and general living.

Lin is hyper-detailed, seemingly socially awkward, brilliant, acute, exploratory, brave and curious. While at times he seems to go into too much detail about mundane ongoings, I'm thinking that's the point. He describes recordings down to the second, pays acute attention to everyone he interacts with, and places it humorously and starkly in context. "Trip" is beautiful, made me feel nervous, anxious, excited, sad, giddy and curious- I respect Lin and see quite a bit of myself in him.

While the book lacks the quiet desperation that colors Tao’s earlier work, it’s made up for in an ever-researching, optimistic ‘trip’ towards recovery.

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Selasa, 15 September 2015

Free Ebook The Lost Fleet: Fearless

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The Lost Fleet: Fearless

Product details

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Audible Audiobook

Listening Length: 9 hours and 50 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: March 20, 2008

Whispersync for Voice: Ready

Language: English, English

ASIN: B0016BXEGY

Amazon Best Sellers Rank:

I liked Dauntless ever-so-slightly better, but this was still a solid read and highly recommended if you like space operas ala David Weber. Great premise and action packed. A little predictable at times as you are told "something didn't look right" and you knew there would be something that wasn't right and that Black Jack Geary would figure it out and win, but this is fun sci-fi - not Old English Literature - so it accomplishes its goal.My biggest complaint about this book is the early exposition which is to bring you up to speed if you haven't read the first book in the series (Dauntless) or if you haven't read it in a while I guess. That is tedious and it pops up from time to time in the book. But I suppose that is one of the challenges to writing a series.I'm definitely pre-ordering Courageous (Book 3) and Valiant when possible. Highly recommended if you like space operas.

I've read the whole series now. That should tell you how much I liked the story. After a couple of books you kind of figure out how things are going to develop so I wouldn't say it was full of surprises but it wasn't predictable either.Different people would see the story in different ways but to me it was the consideration of the realities of space that kept me connected. Few people realize how large space actually is. Sci-Fi had lead us to think of space warfare as happening at visual range and perceivable speeds. It just wouldn't be like that. Even modern air warfare strains this idea. The Enterprise would never be nose to nose with a Romulan vessel and shots would be fire from such distances that you might not even see if you hit or missed for a long time.Black Jack Geary has to deal with the truth of relativity and distances measured in light travel time. Even communication is complicated when there are minutes or even hours of transit time for messages.If you throw out sub-space the plot thickens and that is what kept me coming back. Not to mention the subterfuge and intrigue.

FEARLESS is a decent follow up to the original LOST FLEET book DAUNTLESS. The premise of the Lost Fleet saga is the Alliance's starfleet caught far behind enemy lines and only Captain John "Black Jack" Geary (frozen for a century in an escape pod) can get them back home. It's an entertaining space opera with excellent space battles and a somewhat repetitive beat of Jack angsting over the fact everyone he knows his dead while he's been made a legend by the Alliance's propaganda machine.I liked this book a little bit more than Dauntless with Jack rescuing a infamous military maverick from a prison camp, Captain Falco, who threatens to usurp his command over the fleet. This wouldn't be a problem if not for the fact Falco is incompetent, dangerously charismatic, and possibly insane after twenty-years of imprisonment in a labor camp. Morale is also dangerously low in the fleet and John has decided to do a daring raid on the enemy's largest shipyards while the rest of their fleet is (ironically) chasing them.I was hoping for a lengthier conflict between Captain Falco and Captain Geary for control of the fleet. I really enjoyed the battle between Captain Adama and Admiral Cain in Battlestar Galactica's reboot. This is much shorter with the two characters only sharing a short number of encounters before things come to a head.Fearless is a solid piece of military science fiction that I found quite entertaining. There's a few minor developments character wise but the focus in this series is squarely on the tactics in space, the chain of command, and other Naval details which military enthusiasts will enjoy. I'm not a big fan of one character who gets promoted to love-interest in this book but she's also the only one not in Geary's chain of command so I suppose that was inevitable.9/10

I continue to be both fascinated and engrossed in Jack Campbell's The Lost Fleet series. The second book, like the first, gives readers a character that is memorable and unique - Captain John 'Black Jack' Geary is a legend and an ordinary man who must find a way to balance both aspects, as well as the expectations of the Fleet he commands. As readers know, John Geary was in hibernation for a century before been found by the Alliance Task force. In the time he slept, the Alliance has been at war with Syndicate for nigh on a hundred years and in that time he has become a legend amongst the Alliance naval forces. Now, finding himself in charge of an entire fleet, he finds to his annoyance that people frequently quote things he said 100 years ago - usually out of context - and expect him to go full thrust against the Syndics. Unfortunately, he is not the sort of Captain that throws away ships or crew with great disregard. His decisions are purposeful, designed to balance good strategy and tactics with minimal loss. He is a desciplined man, from a long gone age who uses his knowledge - garnered from long gone, experienced military men and women of the Alliance Fleet - to protect his Fleet. However, he finds that military disciline has fallen by the way side and many of his more junior Captains are glory hunters who risk their ships and crew with their constant desire to eliminate the Syndics.Fearless continues the struggle Captain John Geary has, as he tries to demonstrate to his Captains a different way of thinking that will ensure as many of his ships and personnel make it back to Alliance Space. He also battles against the legend of 'Black Jack' Geary that could lead him to take the easy route - domination, power and control - through taking advantage of that legendary status. He would rather people in the fleet saw him as the very ordinary Captain John Geary, not as 'Black Jack'. There is some brilliant battle action; a discovery about the hypernet gate system that has the potential to be devastating; Geary has to match wits with a liberated Alliance Captain who has the potential to undermine his role as Captain of the Fleet and mutiny by some of his more recalcitrant Captains. A thoroughly enjoyable read that is as much character driven as it is tense battle action. I highly recommend this series for its attention to detail, complex chracters, fantastic plot, setting, and solid hard science.

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Minggu, 13 September 2015

Ebook No Future: Queer Theory and the Death Drive (Series Q)

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No Future: Queer Theory and the Death Drive (Series Q)


No Future: Queer Theory and the Death Drive (Series Q)


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From Publishers Weekly

Queer theory, a fairly recent academic discipline, has been commonly used as an analytic tool to deconstruct literature, film and art, although writers such as Judith Butler and Michael Warner have also applied it to philosophy and sociology to subvert accepted concepts of the "normal." EdelmanÂ’s slim volume takes this idea further than anyone else to date. Arguing that the traditional Western concept of politics is predicated on making the future a better place and that the accepted—literal as well as symbolic—image of the future is the child, he states that "queerness names the side of those not ‘fighting for the children.Â’ " Edelman argues that homosexualityÂ’s perceived social threat has to do with its separation from the act of reproduction, yet, he says, this non-reproductive capacity must be embraced as a social good. He illustrates his provocative stance by analyzing numerous cultural artifacts—Alfred HitchcockÂ’s The Birds (why do the birds keep attacking children?); A Christmas Carol (he favors Scrooge over Tiny Tim); the musical Annie (with its hit song "Tomorrow")—and by discussing the theories of post-modern writers such as Jacques Lacan, Slavoj Zizak, Jean Baudrillard and Barbara Johnson. While Edelman also focuses on recent events—the murder of Matthew Shepard, the bombing of abortion clinics, the Catholic ChurchÂ’s sexual abuse scandal—most of his book is densely written and theoretical. This is a notable contribution to post-modern theory, but EdelmanÂ’s knotted, often muddled writing will limit his readership to hard-core academics and students of post-modern thought.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

“The book represents a rigorous attempt to think at once generatively and against tropes of generation, to work at once in irony and in earnest to demonstrate the political’s material dependence on Symbolic homo-logy.”Whether we decide to follow Edelman’s example of rejecting the future or vehemently react against his polemic, No Future leaves no doubt that we cannot get around thinking critically about the uses and abuses of futurity.“The book represents a rigorous attempt to think at once generatively and against tropes of generation, to work at once in irony and in earnest to demonstrate the political’s material dependence on Symbolic homo-logy.” - Jana Funke, thirdspace"One of the great virtues of Edelman's thesis is that it restores the distinction between queerness and homosexuality per se. Edelman goes some way to returning the uncanniness attached to queerness which has been dispelled by the very signifier 'gay' and the cosy, Kylie-loving, unthreatening cheeriness with which it has become associated." - K-Punk"This is a book, I confess, that I would love to have written. Angry, eloquent, precise, beautifully composed, funny, over the top, and very smart, the four chapters . . . articulate a controversial and disturbingly persuasive figural and rhetorical diagnostic of a moment in U.S. political life." - Carla Freccero, GLQ“Edelman has certainly articulated a new direction for queer theory, making No Future required reading both within the field and beyond.” - Andrea Fontenot, Modern Fiction Studies“The book represents a rigorous attempt to think at once generatively and against tropes of generation, to work at once in irony and in earnest to demonstrate the political’s material dependence on Symbolic homo-logy.” - Carolyn Denver, Victorian Studies“No Future is a nuanced polemic, both ringingly clear in its aesthetic and theoretical explications and simply thrilling to read. I learn so much from the way Lee Edelman grounds a queer ethics and politics outside kinship and reproductive circuits, those spaces of assimilation that use the bribe of futurity to distract us from the ongoing work of social violence and death.”—Lauren Berlant, author of The Queen of America Goes to Washington City: Essays on Sex and Citizenship“In consistently brilliant theoretical discussions (for the most part, psychoanalytically inspired), as well as in strikingly original readings of Dickens, George Eliot, and Hitchcock, Lee Edelman argues that in a political culture dominated by the sentimental illusions and frequently murderous moral imperatives of ‘reproductive futurism,’ homosexuality has been assigned—and should deliberately and defiantly take on—the burden of a negativity at once embedded within and violently disavowed by that culture. The paradoxical dignity of queerness would be its refusal to believe in a redemptive future, its embrace of the unintelligibility, even the inhumanity inherent in sexuality. Edelman’s extraordinary text is so powerful that we could perhaps reproach him only for not spelling out the mode in which we might survive our necessary assent to his argument.”—Leo Bersani, author of The Culture of Redemption, Homos, and, with Ulysse Dutoit, Caravaggio’s Secrets“No Future is a highly imaginative, terrifically suggestive, and altogether powerful book. The question at its political heart is an arresting one, not least because it appears so counterintuitive: Must every political vision be a vision of the future? This is the first study I know that submits the rhetoric of futurity itself to close scrutiny. An intellectually thrilling book.”—Diana Fuss, author of The Sense of an Interior: Four Writers and the Rooms that Shaped Them“Edelman has certainly articulated a new direction for queer theory, making No Future required reading both within the field and beyond.” (Andrea Fontenot Modern Fiction Studies)“The book represents a rigorous attempt to think at once generatively and against tropes of generation, to work at once in irony and in earnest to demonstrate the political’s material dependence on Symbolic homo-logy.” (Carolyn Denver Victorian Studies)

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Product details

Series: Series Q

Paperback: 208 pages

Publisher: Duke University Press Books (December 6, 2004)

Language: English

ISBN-10: 9780822333692

ISBN-13: 978-0822333692

ASIN: 0822333694

Product Dimensions:

5.5 x 0.6 x 9 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

3.1 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#140,783 in Books (See Top 100 in Books)

I read this in two days. I couldn't put it down. Blew my mind and I have been trying to integrate it into my thesis. Amazing.

This is a smart, funny, and challenging book. (It does require fluency in theory-speak, largely of the Lacan dialect. So Edelman is writing largely for academics of a certain ilk. Fair enough, but I wonder what these ideas would look like if they were written with a larger public in mind--it seems to me Edelman's challenge to the child-driven purity politics of the US will never reach those who operate most within its languages and symbols.)Edelman makes a compelling case for refusing the "futurity" built into the rhetoric not just of conservative politics but also much of liberal or progressive politics. He acknowledges that in calling for this refusal, he is proposing an "impossible politics," a politics that will sidestep the trap by which one or another group (queers or an equivalent population deemed deviant) has to be sold down the river in order to rally everyone else around future improvement and greater inclusion. This is also an "impossible politics" because it won't suppress the death drive that structures every identity or political vision (this is the Lacanian part of the argument).But once you stipulate that any and every kind of politics (except Edelman's impossible politics) is built on suppressing the death drive, you have painted yourself into a corner--an impossible politics, indeed. Once Edelman has shifted the site of politics to the deep structure of the human psyche in this way, It's hard to see how one could think or act in any purposeful way that might count as political. There is only the act of refusing, but no hope or even historical possibility for imagining social and power arrangements that operate otherwise. In the meantime, political change will happen, for better or worse, and those who refuse have just taken themselves out of the game, and also limited their ability to even diagnose the change that happens.What is missing is any speculation from Edelman about what his politics of refusal would amount to, how it might play out in the world to affirm rather than suppress or deny the death drive. Other theorists have taken up the challenge of thinking about how we might act or at least think politically once we give up the idea of a self-directing political actor and a self-governing political society. But Edelman seems content to plant himself at the paradox of an "impossible politics" and expose the delusions and ill will that suddenly come into view from that standpoint. The book is brave and often brilliant, but I find I want to refuse the impossibility of this picture of impossible politics.

Awesome thoughts from a brilliant mind...but it gets a little repetitive. This really shakes the fabric of social structuring around the our precious constructions of the child.

Author is widely respected though his argument fails to impress. It feels heavily married to Lacanian structures of thought, which have been taken up by an array of authors. He puts significant work into defining "the Child" as a Symbolic projection, yet his strongest cultural examples talk about actual children (not just the idea of the Child).Overall, his argument is a great example of highlighting the limits of Lacanian logic. Beyond that stylistic inquiry, we're left with an unsubstantial exploration of "straight time" vs "queer time" and a polemic reading of American politics.

fascinating

It might seem harsh to say that the problem with Lee Edelman's account of queer theory is that there's no future in it, but according to its own logic this would be highest praise. Edelman's title says it literally and succinctly: "No Future." And as the back-cover publisher's blurb tells it, queer theory is also "a fairly recent academic discipline." If I read this statement correctly, it means that in addition to having "no future," queer theory also has "no past." Leo Bersani, himself a distinguished academic with a past, a present and a future, writes in his blurb: "The paradoxical dignity of queerness would be its refusal to believe in a redemptive future, its embrace of the unintelligibility, even the inhumanity inherent in sexuality." It is true that the ancient Gnostics renounced sexuality as a way to subvert the demiurge ("an artisan-like figure responsible for the fashioning and maintenance of the physical universe") and to guarantee themselves: No Future. Might their "demiurge" equate to the neoliberal proponents of heteronormative pronatalism--child-lovers--so compellingly denounced by Edelman? Fortunately, however, I believe there is at least one kind of future for the most excellent queer theorists, or at least for the radically subversive, pro-unintelligibility (-ist?) Lee Edelman: a tenured position in Gnostic academe.

A supercilious, elitist, pseudo-intellectual with not much to say.

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No Future: Queer Theory and the Death Drive (Series Q) PDF