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Minggu, 28 Oktober 2018

Free Download Liberté Egalité Beyoncé: Empowering quotes and wisdom from our fierce and flawless queen

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Liberté Egalité Beyoncé: Empowering quotes and wisdom from our fierce and flawless queen

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Liberté Egalité Beyoncé: Empowering quotes and wisdom from our fierce and flawless queen

About the Author

John Davis is a pop-cultural author, recovering high school teacher and is now one of Melbourne’s most popular DJ’s. He has previously written The Essential Fan Guide to RuPaul’s Drag Race for Smith Street Books in 2017. Samona Darius is a 25-year-old graphic designer and illustrator from New York. Samona earned her BA in Graphic Design at Full Sail University while starting her illustration career concurrently. She specializes in vector based portraits of pop culture icons.

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Product details

Hardcover: 112 pages

Publisher: Smith Street Books (October 30, 2018)

Language: English

ISBN-10: 1925418758

ISBN-13: 978-1925418750

Product Dimensions:

6.6 x 0.6 x 7.6 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#478,160 in Books (See Top 100 in Books)

I thought that the book wouod be much larger. Nonetheless, gift was very well cherished.

Fun.Purchased as a gift and the recipient loved it!

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Download PDF , by Jenn McAllister

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Product details

File Size: 35035 KB

Print Length: 240 pages

Publisher: Scholastic Nonfiction (August 25, 2015)

Publication Date: August 25, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00UXO44T6

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Super funny. Very personal. Very well written. She gets her point across and expresses it well so it's easy to understand. The lists of 10s are very good and helpful. Read it during freshman year and took my mind off of things. If I didn't already love youtube I do now. Waiting for book 2.

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Sabtu, 27 Oktober 2018

Get Free Ebook Shooting in the Wild: An Insider's Account of Making Movies in the Animal Kingdom, by Chris Palmer

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Shooting in the Wild: An Insider's Account of Making Movies in the Animal Kingdom, by Chris Palmer

Shooting in the Wild: An Insider's Account of Making Movies in the Animal Kingdom, by Chris Palmer


Shooting in the Wild: An Insider's Account of Making Movies in the Animal Kingdom, by Chris Palmer


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Shooting in the Wild: An Insider's Account of Making Movies in the Animal Kingdom, by Chris Palmer

From Booklist

Longtime producer Palmer provides an in-depth look at wild animals on film, covering the history of wildlife documentaries, safety issues, and the never-ending pressure to obtain the “money shot.” Marlin Perkins, Jacques Cousteau, Steve Irwin, Timothy Treadwell, and many other familiar names are discussed along with their work, accidents, and in some cases, untimely deaths. Palmer is highly critical of Irwin, and offers fascinating revelations about game farms used by exploitative filmmakers and photographers looking for easy shots and willing to use caged animals to obtain them. He also considers the subliminal messages of many wildlife films, considering everything from Shark Week to Happy Feet and how they manipulate audiences toward preset conclusions about animal behavior. In all this is an engaging and exceedingly timely look at a form of entertainment the public has long taken for granted and which, as Palmer points out, really needs a fresh and careful reconsideration. --Colleen Mondor

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Review

Praise for Shooting in the Wild“A well-reasoned yet passionate argument for changing wildlife filmmaking practices and creating ethical guidelines, this is an accessible and engaging read.” —Library Journal

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Product details

Paperback: 272 pages

Publisher: Counterpoint; First Edition edition (May 11, 2010)

Language: English

ISBN-10: 1578051487

ISBN-13: 978-1578051489

Product Dimensions:

6 x 0.8 x 8.9 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

60 customer reviews

Amazon Best Sellers Rank:

#1,086,779 in Books (See Top 100 in Books)

Chris Palmer combines the inside knowledge of a consummate industry professional with the concerns of an ethicist in this superb look at the world of environmental and wildlife filmmaking. There has always been a certain amount of tampering with reality in the field, but with a rising demand for new content that has to be on time and on budget, some producers engage in outright deceit or take moral shortcuts. Captive animals are substituted for wild ones, wild ones are provoked into uncharacteristic displays of violence in a lurid grab at ratings. Palmer himself admits that he has incorporated footage of captive animals. He's open and honest as to how his thinking has evolved, and unafraid to name those who knowingly practice deception. This informative, compelling book ends with an eight-point ethic for working and prospective filmmakers. SHOOTING IN THE WILD is an important work by an enlightened filmmaker. Highly recommended.

Over decades of watching wildlife documentaries, I had never heard (or registered) Chris Palmer's name. He's the guy behind the scenes organizing money, politics, policies, lobbying and such - the aspect of wildlife film making that most viewers blissfully ignore. Ignorance is bliss this book confirms.I came across this book as an Amazon recommendation based on a few purchases over the holidays. I thought it was an interesting topic and bought the book after its five-star rating and pages and pages of praise from the who's who of the wildlife world and a preface by Jane Goodall. Chris presents the book very well from the management perspective of the wildlife film making business. However, it's like listening to a politician's speech, which I guess is the flavor of talk for someone who's well-connected in D.C, Wall Street and various lobby groups? :)I took offense to calling Perkins' pitching for Mutual of Omaha in his pioneering documentary series as "prostitution" for a sponsor. This coming from Chris who says he uses the fame of celebrities to sell this movies and the fame of seasoned wildlife luminaries to sell his book (I wouldn't have bought this book if not for the praises). Chris mentions Attenborough several times and never once very positively. And he goes on to say that no one in Africa watches Attenborough anyway because it's all in English (during his praise of Cynthia Moses' work). I'm not so sure I get that argument, unless of course Attenborough's work cannot be translated to any African language.The book skims on some interesting but controversial topics. Raising funds for making a film suits someone who's got name, fame or connections to those with the required traits. Obviously, it's something which Chris is really good at but there's not much advice for someone who does not want to take that route. Not much was said on what happens with the money. For example, the movie 'Whales' took $1 million from NSF and $3 million from NWF and made more than $50 million. Is it ethical to gamble on money paid for by tax-payers (NSF) and members (NWF)? What happens to profits? Who are the buyers? Why not consider giving out documentaries for free as the are already paid for by sponsors? I was expecting more depth on this topic as this is where Chris' expertise would be as a manager/executive. Other topics that just scratches the surface is science versus filmmakers and wildlife management versus filmmakers. There's a lot more people-management skills involved in wildlife filmmaking than naturalist skills and I wished there could be more about that.I'm not a fan of personal attacks and the "my way or the highway" attitude that is a regular theme in the book. I wondered how many of those that were attacked for their documentary styles worked for Chris (Attenborough, Irwin, Brady Barr for example). Perhaps none? Not everyone likes or enjoys Brady Barr or Steve Irwin but there are also those that don't enjoy celebrity-hosted wildlife films as well, so it's probaly not fair to criticize different styles of wildlife films IMHO. Popular presenters are rebuked for not doing enough for conservation. This comes when none of Chris' films have taken on organized big-money big-power industries like oil or mining companies, instead frying little fish like poor sustenance hunters, fishermen and ranchers for conservation's sake.In the beginning Chris talks about sensationalism in a negative way, however nearly every discussion reeks of sensationalism from alligator chasing boats in a storm(really?), to elephants almost dying on film (sounds overly exaggerated) and other dramatic real-life experiences. Science seems to take a backseat except for a few superstars. Apparently all superstar scientists study primates, predators or other such totem species and successful wildlife films revolve around those. It is unfortunate given that we have millions of species and not much is known about them outside the science world. This is a sad state because of the money involved - right from raising funds to making profits. After all, other than the most diehard fans of nature, who wants to watch a documentary on naked mole rats or gut nematodes of a zebra? There's also the occasional hypocrisy in topics ranging from staging to shooting ethics. For example, in the ethics discussion Larry Engel chooses to just shoot a dying elk so as to not interfere with wildlife, but in the next few pages a cameraman's act of removing whale louse (whale lice) from a whale is praised.It's still a good book to read but it is misleading to think it's the state of the industry (if it is, then I'm horrified). It's more like a personal philosophy on making wildlife films. I only have more questions about the "secrets" of making wildlife films after reading this book and thought it was very biased.

This book sheds light on what really takes place behind the scenes in the making of wildlife films. It examines the history of the industry and exposes some of the controversial practices (past and present) that have become all too common. It acknowledges that, although these practices have led to some wonderful moments on film, they have often done so at a cost. Palmer shares his real life experiences and courageously questions some of his own decisions in the pursuit of “the right shot”.The book not only points out many of the questionable techniques involved in the process, it also suggests a path toward more ethical and sustainable practices that will (hopefully) lead to better, more authentic films, while reducing the impact on animals and ecosystems.Consumers and filmmakers alike will benefit from the information. The book should be required reading for anyone contemplating a career in the field of wildlife and natural history filmmaking. Finally someone on the inside has had the courage to address these issues and offer solutions on how the future of wildlife filmmaking might change for the better. A great read.

I'd always suspected that much of what we see in wildlife film and television is too good to be true. The wolf always appears when he or she should, the photographer is always in the right place to catch the cougar taking down the deer, the camera gets into the den to show the mother an her cubs. Palmer reminds us that many great cinematographers and producers of wildlife film and tv do put in the countless and thankless hours necessary to get the right shot at the right time. However, he doesn't pull punches or offer a needless defense of the oft-used practices of staging, creative editing, and downright trickery used by many producers. A great book. There's also a recent PBS special that makes a great companion.

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Kamis, 25 Oktober 2018

Download Ebook Agatha Christie: Murder in the Making: More Stories and Secrets from Her Notebooks, by John Curran

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Agatha Christie: Murder in the Making: More Stories and Secrets from Her Notebooks, by John Curran

Agatha Christie: Murder in the Making: More Stories and Secrets from Her Notebooks, by John Curran


Agatha Christie: Murder in the Making: More Stories and Secrets from Her Notebooks, by John Curran


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Agatha Christie: Murder in the Making: More Stories and Secrets from Her Notebooks, by John Curran

Review

“With a greater emphasis on the queen of crime’s inner life, Christie expert Curran reveals both Christie’s dedication to her craft and his own enthusiasm for his subject in his engaging follow-up to his 2010 Agatha Christie’s Secret Notebooks.....Even 120 years after her birth, the allure of Christie continues, and this volume will rightly prolong her reign.” (Publishers Weekly (starred review) on Agatha Christie: Murder in the Making)“Not a book to read in one sitting, but one to love: a sumptuous buffet for fans who wish the Queen of Crime had lived forever.” (Kirkus Reviews on Agatha Christie: Murder in the Making)“Curran’s analysis of these notes in the context of Christie’s life is first-rate.” (Cleveland Plain Dealer on Agatha Christie: Murder in the Making)“Curran sheds light on the method of crafting a mystery story by the world’s most popular writer of whodunits.” (Iron Mountain Daily News on Agatha Christie: Murder in the Making)“This is a wonderful companion piece to [Christie’s] autobiography and a must-read for every Agatha Christie fan. It provides a unique look into one of the world’s most successful authors.” (Daily America on Agatha Christie: Murder in the Making)

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From the Back Cover

As he did in the Edgar®-nominated and Agatha, Anthony, and Macavity Awards–winning Agatha Christie's Secret Notebooks, Christie expert and archivist John Curran once again examines the unpublished notebooks of the world's bestselling author to explore the techniques she used to surprise and entertain generations of readers.Drawing on Christie's personal papers and letters, he reveals how more than twenty of her novels, as well as stage scripts, short stories, and some more personal items, evolved. Here are wonderful gems, including Christie's essay on her famous detective, Hercule Poirot, written for a British national newspaper in the 1930s; a previously unseen version of a "Miss Marple" short story; and a courtroom chapter from her first novel, The Mysterious Affair at Styles, which was edited out of the published version in 1920; plus an insightful, well-reasoned analysis of her final unfinished novel, based on the author's notes and Curran's own deep knowledge of Christie and her work.A must-read for every Christie aficionado, Agatha Christie: Murder in the Making is a fascinating look into the mind and craft of one of the world's most prolific and beloved authors.

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Product details

Paperback: 432 pages

Publisher: William Morrow Paperbacks; Reprint edition (September 11, 2012)

Language: English

ISBN-10: 9780062065438

ISBN-13: 978-0062065438

ASIN: 0062065432

Product Dimensions:

5.3 x 0.7 x 8 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#978,824 in Books (See Top 100 in Books)

John Curran is an expert on Agatha Christie (1890-1976) the maven of murder. Christie's books have sold more volumes than any other books published with the exception of the Bible and the Shakespeare canon. This book is the second volume on Dame Agatha';s works. The first book in the two volume set is ":Agatha Christie": Secret Notebooks.". In this second volume Curran prints for the first time an unpublished version of ":The Caretaker';s Wife": a short story featuring Miss Marple the elderly amateur sleuth who knows all the secrets of her village ":St. Mary Mead": He also looks at the most notable novels and short stories written by Christie for each decade from the 1920s through the 1970s. This section of the book can become tedious if you have not read the stories under examination. This part of the book reads best if you look at the review and working methods of Christie just after you have read the book being discussed. Dame Agatha kept her best ideas contained in over seventy notebooks. She was chaotic in her preparation for future stories and novels but produced the best detective stories produced in the popular genre. Christie often listed possible characters and plot developments in her notebooks. She also used her considerable knowledge of poisons. Curran includes Dame Agatha';s article on the creation of Hercule Poirot. Agatha Christie was a genius of light whodunit fiction. The world is a better place because of her.John Curran has done a fine job in making her works more accessible to a new generation of readers. Recommended.

This definitely wasn't written by Agatha Christie

I ordered both of John Curran's books about Agatha Christie's journals. The hype for this one was "an unseen Miss Marple story."That was true, as the character of Miss Marple was inserted in a previously published Christie story (which had been published in both short story and novel forms). The story was improved by adding Miss Marple, but it was still only a revised story. I bought both of Curran's books mostly to read the "new" stories he included. If other readers are thinking of the same thing, they can avoid disappointment by not ordering either book. Both books had a fair amount of rambling and repeated ideas. As an ardent Christie fan, I want to read more interesting works about her.

This book is of interest for serious Christie fans. I have read all of Agatha Christie books numerous times. About every two to three years, I start from the beginning and read them all again. I also have the Bedside Companion book which tells a little about each book. This just adds to my enjoyment and knowledge of her thinking, her methods, and of course, the books themselves. Don't read this book until you read the Christie mysteries or you will learn the endings.

Bought this to help prepare for a lecture on Christie's archaeology related books. Very interesting to see her quickly formulate her books. I only wish she had dated these notes!

Very interesting, a fast, easy read. I was surprised to find that Dame Agatha's handwriting was not the neatest, nor was her recordkeeping. Ideas for stories/books were found in multiple notebooks. It's a wonder they ever got pulled together into best sellers, but it put her in a more human light. Maybe there is hope for all amateur authors. Thoroughly enjoyed the book and recommend it to all fans of Agatha Christie, though I missed being able to make notations in the margins.

Am a big fan of Agatha Christie and have most of her books.This one covers story behind behind the books. Love it.Phyllis Y.

This book was in beautiful shape and it fit perfectly on my "To Be Read" shelf.

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Selasa, 23 Oktober 2018

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Product details

File Size: 511 KB

Print Length: 90 pages

Simultaneous Device Usage: Unlimited

Publisher: Enthuware; 1 edition (November 23, 2013)

Publication Date: November 23, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00GW5IMPC

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Amazon Best Sellers Rank:

#1,565,819 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Great book, full-oriented to the certification test

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